Adjacent to the west of the Euphrates-related deities, there is a mosaic with a bust of Demeter, the god of soil and crops, crowned with wheat ears and flowers, with a horn of fertility on her left shoulder, in a square shallow pool. Here, the mosaic master first passed the water through the pool where the Euphrates River gods are located, and then conveyed it to the pool where Demeter, the goddess of abundance and abundance, depicted the abundance and fertility that the Euphrates offered to its surroundings, and established the product and production equation. In addition, the bust of Demeter is at the center of the decorations with an octagonal belt, an octagonal wave belt, two rhombuses rotated ninety degrees and intertwined, and the eight corners of these quadrilaterals with eight ax depictions between them. This composition, in which the number eight is given with geometric decorations, is surrounded by a circular belt placed in a square with floral decorations extending from the corners. The number eight in this panel must be associated with Demeter's daughter Persophone. Because Zeus decided that Persophone would spend two-thirds of the year (eight months), that is, the flowering and fruiting time, and her mother Demeter would spend the remaining one-third, that is, the winter, with her husband Hades. In the worship (legend) of Demeter, she is inseparable from Persephone. This mother daughter is also called the "first goddess". For these reasons, mother and daughter were not separated from each other in the Belkıs/Zeugma mosaics, where Persophone was represented with geometric decorations placed according to the rule of the number eight.
Source:Mehmet ÖNAL (Archaeologist)

Mosaic Work
Adjacent to the west of the Euphrates-related deities, there is a mosaic with a bust of Demeter, the god of soil and crops, crowned with wheat ears and flowers, with a horn of fertility on her left shoulder, in a square shallow pool.