{"id":5823,"date":"2024-03-04T04:18:19","date_gmt":"2024-03-04T04:18:19","guid":{"rendered":"https:\/\/zeugma.org.tr\/?post_type=cpt_portfolio&#038;p=5823"},"modified":"2024-03-04T04:19:44","modified_gmt":"2024-03-04T04:19:44","slug":"dionysos-un-dugunu","status":"publish","type":"cpt_portfolio","link":"https:\/\/zeugma.org.tr\/en-gb\/portfolio\/dionysos-un-dugunu\/","title":{"rendered":"DIONYSOS &#8216;UN D\u00dc\u011e\u00dcN\u00dc"},"content":{"rendered":"\n<p>Tasvir panosundaki on fig\u00fcr soldan sa\u011fa do\u011fru; Ayakta duran ve kase ile i\u00e7ki i\u00e7en bir erkek fig\u00fcr\u00fc- oturur durumda ve elinde me\u015fale tutan bir Menad \u2013 sa\u011fa do\u011fru y\u00fcr\u00fcyen ve kald\u0131rd\u0131\u011f\u0131 kollar\u0131yla elinde tuttu\u011fu nesnenin ne oldu\u011fu( mozai\u011fin bu b\u00f6l\u00fcmde tahrip olmas\u0131 nedeniyle) anla\u015f\u0131lamayan giyimli bir kad\u0131n fig\u00fcr\u00fc tahtta oturan giyimli bir kad\u0131n ile \u00e7\u0131plak torsosu etraf\u0131nda dalgalanan bol kuma\u015f k\u00fctleleri ile tasvir edilmi\u015f, ba\u015f\u0131n\u0131n etraf\u0131 hareli bir erkek fig\u00fcr\u00fc haht\u0131n hemen yan\u0131nda \u00e7\u0131plak k\u00fc\u00e7\u00fck bir \u00e7ocuk fig\u00fcr\u00fc sola do\u011fru y\u00fcr\u00fcyen giyimli iki kad\u0131n fig\u00fcr\u00fc (ki, soldakinin ba\u015f\u0131 tahrip olmu\u015f , sa\u011fdaki daha sa\u011flam ve elinde i\u00e7inde e\u015fyalar bulunan kapa\u011f\u0131 a\u00e7\u0131k bir kutu tutmaktad\u0131r. ) en sa\u011fda ise iki elinde de bir t\u00fcr fl\u00fct tutan bir kad\u0131n ile , arkas\u0131nda v\u00fccudunun \u00fcst b\u00f6l\u00fcm\u00fc \u00e7\u0131plak, da\u011f\u0131n\u0131k sa\u00e7l\u0131 ve sakall\u0131 bir erkek fig\u00fcr\u00fc yer almaktad\u0131r. Merkezdeki grubu olu\u015fturan \u00e7ifttin yan\u0131nda bir \u201c \u00c7ocuk Eros\u201dun bulunmas\u0131 bunlara y\u00f6nelik bir arma\u011fan kutusu ta\u015f\u0131yan sa\u011fdaki iki kad\u0131n ile, kollar\u0131n\u0131n hareketinde Ariadne\u2019nin ba\u015f\u0131na koymak \u00fczere olas\u0131l\u0131kla bir defne \u00e7elengi uzatt\u0131\u011f\u0131n\u0131 veya baht-kader a\u011f\u0131n\u0131 \u00f6rmek \u00fczere ip e\u011firdi\u011fini d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz soldaki kad\u0131n\u0131n varl\u0131\u011f\u0131, sahnenin merkezindeki bu \u00e7iftin Dionysos ile Ariadne birlikteli\u011fini, ba\u015fka bir deyi\u015fle d\u00fc\u011f\u00fcn\u00fcn\u00fc yans\u0131tt\u0131\u011f\u0131n\u0131 akla getirmektedir Dionysos\u2019un Ariadne\u2019yi Naxos adas\u0131nda bulmas\u0131ndan sonra ger\u00e7ekle\u015ftirilen \u015fenlikli evlenme t\u00f6renleri, Dionysos konulu kompozisyonlarda olduk\u00e7a s\u0131k betimlendi\u011finden , buradaki sahneyi de Thiasos\u2019 dan \u00e7ok Dionysos ile Ariadne\u2019nin d\u00fc\u011f\u00fcn\u00fc olarak yorumlamak daha uygun olsa gerektir. Sol ba\u015ftaki Menad , bu evlilikten ho\u015fnut olmayan , Dionysos\u2019u yitirmek \u00fczere olman\u0131n huzursuzlu\u011fu ve k\u00fcsk\u00fcnl\u00fc\u011f\u00fcn\u00fc ya\u015fayan bir sevgili durumundad\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tasvir panosundaki on fig\u00fcr soldan sa\u011fa do\u011fru; Ayakta duran ve kase ile i\u00e7ki i\u00e7en bir erkek fig\u00fcr\u00fc- oturur durumda ve elinde me\u015fale tutan bir Menad \u2013 sa\u011fa do\u011fru y\u00fcr\u00fcyen ve kald\u0131rd\u0131\u011f\u0131 kollar\u0131yla elinde tuttu\u011fu nesnenin ne oldu\u011fu( mozai\u011fin bu b\u00f6l\u00fcmde tahrip olmas\u0131 nedeniyle) anla\u015f\u0131lamayan giyimli bir kad\u0131n fig\u00fcr\u00fc tahtta oturan giyimli bir kad\u0131n ile \u00e7\u0131plak torsosu etraf\u0131nda dalgalanan bol kuma\u015f k\u00fctleleri ile tasvir edilmi\u015ftir.<\/p>\n","protected":false},"author":1,"featured_media":5825,"template":"","cpt_portfolio_group":[115],"_links":{"self":[{"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/cpt_portfolio\/5823"}],"collection":[{"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/cpt_portfolio"}],"about":[{"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/types\/cpt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/cpt_portfolio\/5823\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/media\/5825"}],"wp:attachment":[{"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/media?parent=5823"}],"wp:term":[{"taxonomy":"cpt_portfolio_group","embeddable":true,"href":"https:\/\/zeugma.org.tr\/en-gb\/wp-json\/wp\/v2\/cpt_portfolio_group?post=5823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}